Tourism in Indonesia

Jimbaran Beach, Bali.

Tourism in Indonesia is an important component of the Indonesian economy as well as a significant source of foreign exchange revenues. With a vast archipelago of more than 17,000 islands, the second longest shoreline in the world, over 700 languages and tropical climate, nature and culture are both major components of Indonesian tourism.

Tourism in Indonesia is currently overseen by the Ministry of Culture and Tourism. International tourist campaigns have been focusing largely on tropical destination with white sand beaches and blue sky imagery. Beach resorts and hotels were developed in some Indonesia islands, with Bali island as the primary destination. Cultural tourism is also an important part of Indonesia tourism industry. Toraja, Prambanan and Borobudur temples, Yogyakarta and Minangkabau are popular destinations for cultural tourism, apart from many Hindu festivities in Bali. About 5 million foreign tourists have visited Indonesia annually since 2000.

However, tourism development had sometimes clashed with local people, that has created criticism over Indonesia's tourism industry. Most of the disputes were related over land possession, local traditions (adat) and the impact of tourism development to the local people. In another area, tourism industry in Indonesia faces major threats. Since 2002, several warnings have been issued by some countries over terrorist threats and ethnic/religious conflicts in some areas, which significantly reduces the number of foreign visitors.

Statistics

As with most countries, domestic tourists are by far the largest market segment. The biggest movement of domestic tourists is during the annual Eid ul-Fitr, locally known as "lebaran". During this period, which is a 2 week holiday after the month of Ramadan fasting, many city-dwelling Muslim Indonesians visit relatives in their home towns. Intercity traffic is at its peak and often an additional surcharge is applied during this time.

Over the 5 years up to 2006, attention has been focused on generating more domestic tourism. Competition amongst budget airlines has increased the number of domestic air travellers throughout the country. Recently, the Ministry of Labour legislated to create long weekends by combining public holidays that fall close to weekends, except in the case of important religious holidays. During these long weekends, most hotels in popular destinations are fully booked.

Since 2000, there have been, on average, 5 million foreign tourists each year, who spend an average of US$ 100 per day (see table). With an average visit duration of 9-12 days, Indonesia gains US$ 4.6 billion of foreign exchange income annually. This makes tourism Indonesia's third most important non-oil/gas source of foreign revenue, after timber and textile products.

Three quarters of Indonesia's visitors come from the Asia Pacific region, with Singapore, Malaysia, Australia, Japan and South Korea among the top five countries of origin. The United Kingdom, France, Germany and the Netherlands are the largest sources of European visitors. Although Dutch visitors are at least in part keen to explore the historical relationships, many European visitors are seeking the tropical weather at the beaches in Bali.

Around 57% of all visitors are traveling to Indonesia for holiday, while 38% for business purposes. The high proportion of business visitors is also reflected in the gender breakdown, with two thirds of visitors being male, and one third female.

In 2005 tourism accounted for 7% of job opportunities and 5% of Indonesian GDP.

Historical context

During the colonial era, tourism was regulated carefully by the government administration of the Dutch East Indies, with international tourists encouraged to travel in groups, and to visit the more significant 'landmark' destinations of Java, Bali and Sumatra. Much of the international tourism of the 1920s and 1930s was by international visitors on oceanic cruises. The 1930s did see a modest but significant influx of mainly European tourists and longer term stayers to Bali. Many came for the blossoming arts scene in the Ubud area, which was as much a two-way exchange between the Balinese and outsiders as it was an internal phenomenon.

The Rhino was the mascot of Visit Indonesia year, 1992

Tourism more or less disappeared during World War II, and in the early years of the Sukarno era. National pride and identity in the late 1950s and early 1960s was incorporated in the monumentalism of Sukarno in Jakarta - and this included the development of international standard hotels. The political and economic instability of the mid-1960s saw tourism decline radically again. Bali, and in particular the small village of Kuta, was however, in the 1960s, an important stop over on the overland hippy trail between Australia and Europe, and a "secret" untouched surf spot. In the early to mid 1970s high standard hotels and tourist facilities began to appear in Jakarta and Bali, and from this period to the end of the Suharto era, governmental manipulation of the tourism industry included an array of policies and developments to encourage increasing numbers of international tourists to both visit Indonesia and stay longer.

Sometimes tourism development clashed with local people, particularly in Bali. In 1994, an open demonstration against the new Tanah Lot development project were held and simply halted by military intervention. In 1997, mounting anger of local people reached boiling point over a strip of a beach in front of the Bali Beach Hotel.

There were a number of years that were declared 'Visit Indonesia Year' - with different themes. In a number of cases, where international events interfered, some years in the "Visit Indonesia" decade were considerable disasters. Considerable cynicism on the part of some poor local communities in Java led to the appearance of graffiti on water tanks and abandoned buildings proclaiming "obyek wisata", in reference to local government authorities enthusiasm to attract interest to locations with very limited interest to international tourists who tended to tread the well-worn path between the larger, and in some cases, over-promoted "tourism objects" as they were called. With the advent of the internet and the enthusiasm for promotional websites, tourism in the twenty first century has seen the style of street vendors in busy tourist locations of the past extend to website creators - cluttered, chaotic and of varying quality. Somehow Visit Indonesia Year 2008 is planned, and on works.

Tourists attractions

Nature tourism

The beach at Gili Meno with Lombok in the distant background

Indonesia has well-preserved natural ecosystem such as rainforests that stretch over about 57% of Indonesia's land (225 million acres) and about 2% of them are mangrove. One reason why the natural ecosystem in Indonesia is still well-preserved is because only 6,000 islands out of 17,000 are permanently inhabited. Forests on Sumatra and Java are examples of popular tourists destinations. Moreover, Indonesia has one of longest coastlines in the world, measuring 54,716 km, with a number of beaches and island resorts, such as those in southern Bali, Lombok, Bintan and Nias Island. However, most of the well-preserved beaches are those in more isolated and less developed areas such as Karimunjawa, the Togian Islands, and the Banda Islands.

Dive sites

With more than 17,000 islands, Indonesia presents ample diving opportunities. Bunaken at the northern tip of Sulawesi, claims to have seven times more genera of coral than Hawaii, and has more than 70% of all the known fish species of the Indo-Western Pacific. Moreover, there are over 3,500 species living in Indonesian waters, including sharks, dolphins, manta rays, turtles, morays, cuttlefish, octopus and scorpionfish, compared to 1,500 on the Great Barrier Reef and 600 in the Red Sea. Tulamben Bay in Bali boasts the wreck of the 120 meter (400 ft) US Army commissioned transport vessel, the Liberty. Other popular dive sites on Bali are at Candidasa and Menjangan. Across the Badung Strait from Bali there are several popular dive sites on Nusa Lembongan and Nusa Penida. Lombok's three Gilis (Gili Air, Gili Meno and Gili Trawangan) are popular as is Bangka. Some of the most famous diving sites in Indonesia are also the most difficult to reach, with places like Biak off the coast of Papua and the Alor Archipelago among the popular, more remote, destinations for divers.

Surf breaks

Surfing is also a popular water activities in Indonesia and the sites are recognised as world class sites.^[19] The well-known spots are mostly located on the southern, Indian Ocean side of Indonesia, for example, large oceanic surf breaks on southern Java. However, the north coast does not receive the same surf from the Java Sea. Surf breaks can be found all the way along Sumatra, down to Nusa Tenggara, including Aceh, Bali, Banten, Java, Lombok, Mentawai Islands, and Sumbawa. On Bali, there are about 33 surf spots, from West Bali to East Bali including four on the offshore island of Nusa Lembongan. Sumatra is the second island with the most number of surf spots, with 18 spots. The common time for surfing is around May to September with the trade winds blowing from east to south-east. From October to April, winds tend to come from the west to north-west, so east coast breaks get the offshore winds.

Two well-known surf breaks in Indonesia are the G-Land in the Bay of Grajagan, East Java and Lagundri Bay at the southern end of Nias island. G-Land was first identified in 1972 when a surfer saw the break from the window of a plane. Since 6 to 8 foot (Hawaiian scale) waves were discovered by surfers at Lagundri Bay in 1975 the island has become famous for surfing worldwide.

National parks

Lesser bird of paradise

Komodo Dragon

There are 50 national parks in Indonesia, of which six are World Heritage listed. The largest national parks in Sumatra are the 9,500 km² Gunung Leuser National Park, the 13,750 km² Kerinci Seblat National Park and the 3,568 km² Bukit Barisan Selatan National Park, all three recognised as Tropical Rainforest Heritage of Sumatra on the UNESCO World Heritage list. Other national parks on the list are Lorentz National Park in Papua, Komodo National Park in the Lesser Sunda Islands and Ujung Kulon National Park in the west of Java.

To be noticed, different national parks offer different biodiversity, as natural habitat in Indonesia is divided into two areas by the Wallace line. The Wallacea biogeographical distinction means the western part of Indonesia (Sumatra, Java, Kalimantan) have the same flora and fauna characteristics as the Asian continent, whilst the remaining eastern part of Indonesia has similarity with the Australian continent.

Many native species such as Sumatran elephants, Sumatran tigers, Sumatran rhinoceros, Javan rhinoceros and Orangutans are listed as endangered or critically endangered, and the remaining populations are found in national parks and other conservation areas. Orangutans can be visited in the Bukit Lawang conservation area. The world’s largest flower, rafflesia arnoldi, and the tallest flower, titan arum, can be found in Sumatra.

The east side of the Wallacea line offers the most remarkable, rarest, and exotic animals on earth.^[20] Birds of Paradise, locally known as cenderawaish, are plumed birds that can be found among other fauna in Papua New Guinea. The largest bird in Papua is the flightless cassowary. One species of lizard, the Komodo Dragon can easily be found on Komodo, located in the Nusa Tenggara lesser islands region. Besides Komodo island, this endangered species can also be found on the islands of Rintja, Padar and Flores.

Volcanoes

Mount Bromo

Hiking and camping in the mountains are popular adventure activities. Some mountains contain ridge rivers, offering rafting activity. Though volcanic mountains can be dangerous, they have become major tourist destinations. Popular active volcanoes are the 2,329 m high Mount Bromo in the East Java province with its little desert, the upturned boat shaped Tangkuban Perahu on the outskirts of Bandung, the most active volcano in Java, Mount Merapi and the legendary Krakatau with its new caldera known as anak krakatau (the child of Krakatau). Puncak Jaya in the Lorentz National Park, the highest mountain in Indonesia and the only mountain with ice caps, offers the opportunity of rock climbing. In Sumatra, there are the remains of a supervolcano eruption that have created the landscape of Lake Toba close to Medan in North Sumatra.

Cultural tourism

Borobudur temple in Central Java

Taman Ayun temple, Bali

Indonesia consists of at least 300 ethnic groups, spread over a 1.8 million km² area of 6,000 inhabited islands. This creates a cultural diversity, further compounded by Hindu, Buddhist, Islamic and European colonialist influences.

From the 3rd century until the 13th century, Hinduism and Buddhism shaped the culture of Indonesia. The best-preserved Buddhist shrine, which was built during the Sailendra dynasty in the 8th century, is Borobudur temple in Central Java. A few kilometers to the southeast is the Prambanan complex, a Hindu temple built during the second Mataram dynasty. Both the Borobudur and the Prambanan temple compounds have been listed in the UNESCO World Heritage list since 1991. In Bali, where most Hindus live, cultural festivals are major attractions to foreign tourists.

Islam has also contributed greatly to the cultural society in Indonesia. As of 2006, about 88% of Indonesians are Muslim. Islamic culture is prominent in Sumatra, and a few of the remaining sultanate palaces can be seen in Medan and Pekanbaru.

Despite foreign influences, a diverse array of indigenous traditional cultures is still evident in Indonesia. The indigenous ethnic group of Toraja in South Sulawesi, which still has strong animistic beliefs, offers a unique cultural tradition, especially during funeral rituals. The Minangkabau ethic group retain a unique matrilineal culture, despite being devoted Muslims. Other indigenous ethnic groups include the Asmat and Dani in Papua, Dayak in Kalimantan and Mentawai in Sumatra, where traditional rituals are still observed.

A discussion of cultural tourism is not complete without a mention of Yogyakarta, a special province in Indonesia known as centre of classical Javanese fine art and culture.^[23] The rise and fall of Buddhist, Hindu, and Islamic kingdoms in Central Java has transformed Yogyakarta into a melting pot of Indonesian culture.

Metropolitan tourism

Jakarta in the morning

Metropolitan tourism activities are shopping, sightseeing in big cities and enjoying modern amusement parks. The nation's capital, Jakarta, offers many places for shopping. Mal Kelapa Gading (the biggest one with 130,000 m²), Plaza Senayan, Senayan City, Grand Indonesia, EX, and Plaza Indonesia are some of the malls in the city. Another popular tourist activity is golfing, a favorite sport among the upper classes Indonesian and also foreigners. Some notable golf courses in Jakarta are Cengkareng Golf Club, located in the airport complex, and Pondok Indah Golf and Country Club. Bali has many shopping centers, for instance, the Kuta shopping center and the Galeria Nusa Dua. Nightlife of Indonesia is also popular among foreigners, especially in the big cities like Jakarta, Bandung, Surabaya, Manado, Denpasar and Medan .

Food in Indonesia

The variety of cultures in Indonesia is reflected in the wide range of foods in the nation. Since the 15th century, many European traders have visited the archipelago to buy different kinds of spices, including pepper and mace. In modern times, many cultures and countries have influenced the cuisine of Indonesia, such as Western culture and Asian culture. Many claim that this diversity has resulted in one of the most distinctive cuisines in the world.

The main principle of almost all Indonesian food is halal. Rice is Indonesia's most important staple food. Most Indonesians eat rice twice a day, at lunch and dinner. The rice is usually served with a side dish, such as chicken, meats and vegetables. Although the meals are generally simple, the plentiful use of various roots, spices, grasses, and leaves adds flavour to most dishes. An Indonesian meal will often be accompanied by various condiments at the table, including sambal and kecap. Other main meals, such as potato, noodles, soybeans and wheat are common. The most common method for preparing food is frying, though grilling, simmering, steaming and stewing are also used.

Indonesian cuisine is also influenced by Western culture. The most obvious example is the presence of fast food companies in Indonesia, such as McDonald's, KFC and Pizza Hut.

To popularise the food of Indonesia, food related events were created, such as a food festival called "Enak-Enak", runs from August 15 to August 31, 2006.

International tourist arrivals

International airports

Each of the larger Indonesian islands, have at least one international airport. The biggest airport in Indonesia, Soekarno-Hatta International Airport, is located in Tangerang Regency, Banten. There are five more international airports on Java, Adisumarmo International Airport in Solo, Central Java, Juanda International Airport in Surabaya, East Java, Achmad Yani International Airport in Semarang, Central Java, Husein Sastranegara International Airport in Bandung, West Java and Adisucipto International Airport in Yogyakarta. On Kalimantan there is one international airport and there are two on Sumatra. Bali, which is part of the Nusa Tenggara Islands, has the Ngurah Rai International Airport.

Visa regulations

Tourists from Brunei, Chile, Hong Kong, Macau, Malaysia, Morocco, Peru, the Philippines, Singapore, Thailand and Vietnam can enter Indonesia without a visa. Citizens of these countries will be issued on arrival a permit for a 30 day stay upon presentation of a valid passport with at least six months to run. This stay permit cannot be extended or converted to another type of visa.

On February 1, 2004, Indonesia introduced unpopular and tighter tourist visa regulations. Although tourist visas were formerly free and valid for 60 days, visitors from certain countries must now purchase one of two visas on arrival: a $15USD visa valid for 10 days or a $25USD visa valid for 30 days. This was heavily protested by the tourist industry who point out that this cost adds up for families and 30 days is a very limited time to travel in Indonesia with a number of remote and hard to reach locations.^{[citation needed]} The countries now subject to these tighter regulations include Argentina, Australia, Brazil, Canada, Denmark, Finland, France, Germany, Hungary, Italy, Japan, New Zealand, Norway, Poland, South Africa, South Korea, Switzerland, Taiwan, United Arab Emirates, the United Kingdom and the United States.^[28][29] On July 14, 2004, the Indonesian tourism ministry granted permission for more countries to be included on the VOA list, including Iran, Saudi Arabia, Kuwait, Belgium, Spain, Portugal, Russia, Egypt, Austria, Ireland, Qatar and Luxembourg. The visa on arrival cannot be extended or converted into any other kind of visa. The visa holder also has to leave the country on the 30th day of the stay.

Visit Indonesia Year 2008

The Indonesian Ministry of Culture and Tourism, declared 2008 as a Visit Indonesia Year. Visit Indonesia Year 2008 has officially launched on 26 December 2007

The figure of Visit Indonesia Year 2008 branding took the concept of Garuda Pancasila as the Indonesian way of life. The 5 components of pancasila were represented by 5 different colored lines and symbolized the Indonesian Unity in Diversity.

The targeted number was 7 million. Visit Indonesia Year 2008 was also commemorating 100 years of Indonesia's national awakening in 1908.

Threats to the tourism industry

The 2002 Bali bombing was a major blow to the tourism industry in Indonesia. A series of travel warnings were issued by a number of countries. Subsequently, the rate of tourism in Bali decreased by 31%. Subsequently, a bombing continued occurred each year—the 2003 Marriott Hotel bombing, the 2004 Australian Embassy bombing in Jakarta, and a second bombing in Bali—which worsened the situation for the tourism industry. As of May 2008, no major terrorist attack has occurred since 2005 and the United States Government lifted its warning against travel to Indonesia. In 2006, 227,000 Australians visited Indonesia and in 2007 this rose to 314,000.

An outbreak of bird flu throughout the country has affected the numbers of foreign visitors. As of 2006, the outbreak had killed at least 46 people since 2005, making Indonesia the country with the highest death-toll from the recent epidemic. However, since the disease has not yet been proven to mutate into a form that can transfer from human to human, the U.S. embassy, for example, has not yet issued a travel warning regarding the outbreak.

Another major threat to the tourism industry are sectarian and separatist conflicts in Indonesia. Papua is still affected by Papuan separatism, while Maluku and Central Sulawesi have suffered in recent years from serious sectarian conflicts. Conversely, decades of separatism-related violence in Aceh ended in 2005 with the signing of a peace agreement between the Indonesia Government and the Free Aceh Movement.

Recently in 2008, US government had lifted their travel warning on Indonesia.

Guide books

Guide books and travel accounts with details of the country and people have had a long history - some books from the 1800s and early 1900s being classics with description of places that were perceived as things to see. Both private authors and government publications (such as the 1920s Come to Java books produced in Batavia by the government tourist bureau of the time) have been made each decade through to present. There were restrictions to tourism in the second world war and the mid to late 1960s - other than those two periods - travel accounts and guide books have been produced regularly. James Rush's and Adrian Vickers' texts mentioned below are excellent introductions to the range of writing that has been created.

The most popular Guide book on Indonesia in English in the 1980s was Bill Dalton's Indonesia Handbook, while from the 1990s and since Lonely Planet's edition Indonesia (Guidebook) has gone to its eighth edition in 2007. Many other guide books have also been produced - in English and other languages.

Additionally, major international newspapers regularly have travel sections and stories about Indonesia.

Malang

Malang
Malang town hall
Motto: Malang Kucecwara
Malang Location of Malang in Indonesia
Malang Location of Malang in Indonesia
Coordinates: 7°58′48″S 112°37′12″E / 7.98°S 112.62°E / -7.98; 112.62
Country	Indonesia
Province	East Java
Area
- Total	252.13 km2 (97.3 sq mi)
Population
- Total	1,175,282
Website	http://www.malangkota.go.id/

Malang is the second largest city in East Java province, Indonesia and will be established as the fourth largest city in Indonesia in 2008. It has an ancient history dating back to the Mataram Kingdom. The city population at the present time is around 1.5 million, and the population of the urban area is 2 million. The total population is therefore around 3.5 million. During the period of Dutch colonization, it was a popular destination for European residents. The city is famous for its cool air and the surrounding country regions of Tumpang, Batu, Singosari, and Turen. People in East Java sometimes call it "Paris van East Java." Malang was spared many of the effects of the Asian financial crisis, and since that time it has been marked by steady economic and population growth.

Etymology

The name of Malang is taken from a temple namely Malang Kucecwara. The name of the temple is now applied to the motto of Malang. Malang Kucecwara literally means God has destroyed the false and enforced the right. Location of the temple is supposesedly located near modern Malang. But in modern Indonesian, Malang means "unfortunate", it's not related to Malang's etymology.

History

Hundreds, even thousands of years ago before Malang became the second biggest city in East Java, Malang used to be the centre of government of the Kanjuruhan and Singhasari Kingdom. In the following era, Malang regency became an important place when the government of Mataram Kingdom took hold of the area, making it the largest regency in East Java and since then the development of Malang regency has increased well.

The history of Malang Regency could be revealed through the Dinoyo inscription 760 AD as the primary official document to support the birth of Malang before a new inscription was discovered in 1986, which is so far not yet revealed. According to the inscription, it was concluded that the 8th century was the beginning of the existence of Malang Regency's government due to the birth of King Gajayana's ruling of his kingdom in Malang. From the Dinoyo inscriptions, it is noted that the inscription used the "Candra Sengkala" or "Cronogram" Calendar, and stated that the birth date of Malang Regency was on Jum'at Legi (sweet Friday) 28 November 760 AD. (L. Damaes: "Studed' Epigraphy d'Indonesia IV. 1952").

The city was incorporated into Mataram in 1614, then transferred to Dutch colonial rule. Malang was transformed under the Dutch; its cool climate which results from its elevation, along with its proximity to the major port of Surabaya, made it a popular destination for Dutch and other Europeans. In 1879, Malang was connected to Java's railroad network, further increasing development and leading to increased industrialization.

Along with growth came urbanization. The government could not satisfy the population’s needs for affordable housing, which lead to the building of shanty towns along the rivers and rail tracks. Up until today, the shanty towns still exist; although some have been transformed into “better” housing.

Geography

Malang City

Malang has a total area of 252,136 km². It shares its borders with Pasuruan (North), Lumajang (East), and Batu (West). Mount Bromo, one of Java's largest volcanoes and a major tourist attraction, is located just to the east of the city. Malang is served by the Abdul Rachman Saleh Airport, a domestic airport with flights to Jakarta.

Demographics

There are roughly 1,175,282 people living in Malang. The population density is 10,000 – 17,000/km², with population growth of 9.3% per year.

Ethnic backgrounds

AREMA Logo by KDRI

The racial makeup of the city is mainly of Javanese and Madura, with a small percentage of the Arabic and Chinese descendants. The people of Malang are known for their spirituality, dynamism, hard-work and particularly proud to be Arek Malang (AREMA).

Religion

Like most of Java, a large majority of Malang residents are Muslim; there are small minorities of Catholics, Hindus, and Buddhists. Many of buildings of worship still stand from their construction in the colonial era. For example, Jami Mosque (or Agung Mosque), Sacred Heart Church (Gereja Hati Kudus Yesus) in Kayutangan, Saint Therese Cathedral (Gereja Ijen or Katedral Santa Theresia) in Ijen Street, seat fo the Roman Catholic Diocese of Malang, Eng An Kiong Buddhist Temple in Laksamana Martadinata Street. Malang is also famous for being the centre of religious education, this is evident with the existence of many Islamic schools (pesantren) and bible seminars.

Language

Javanese and Madura language is the day-to-day language used by Malang people. Many of the native Malang youths adopt a dialect that is called 'boso walikan', it is simply done by reversing the pronunciation of the words, an example of this is by pronouncing “Malang” as “Ngalam” instead.

Art & Culture

As a centre of tourism, Malang has various places of interest which can be classified into local, regional, national and international standards, including traditional dance performances such as Tari Topeng (Mask Dance), Jaran Pegon, Tari Beskalan (Beskalan Dance), etc. There are also 'Topeng' or Mask handicraft at the villages of Jabung and Kedungmonggo which have become a familiar landmark in Malang Regency.

Malang is also home to a thriving transgender (waria) community headed by Miss Waria Indonesia 2006, Merlyn Sopjan.

Non-residents

Mount Arjuna viewed from Singosari, Malang

Temporary residents to Malang are mostly for educational reasons. They come from other islands especially from East of Indonesia, which includes Bali, Nusa Tenggara, East Timor, Papua, Maluku, Sulawesi and Kalimantan.

Education

Colleges and schools in Malang include Brawijaya University, Merdeka University, IKIP Malang, Muhammadiyah University, State University of Malang, VEDC (Vocational and Educational Development Center), SMUK Kolese Santo Yusup, SMAK St. Albertus, SMAN 1, SMA Negeri 3 Malang, SMU Negeri 8 Malang

Sidoarjo mud flow

On 28 May 2006, a blow-out occurred during a drilling for an exploration of Natural Gas. The blow-out initially produced 5000 m³ of mud flow per day. 18 months after the incident, the mud flow is estimated to be 80,000 m³ to 100,000 m³ per day. This ongoing mud flow has forced the closure of the Porong-Gempol toll road in East Java, which effectively cut off the transport line from Surabaya to Malang.

Batik

Indonesian batik fabric

Batik (Javanese pronunciation: [ˈbateʔ]; Indonesian pronunciation: [ˈbaːtik]; English: /ˈbætɪk/ or /bəˈtiːk/) is cloth which traditionally uses a manual wax-resist dyeing technique. Due to modern advances in the textile industry, the term has been extended to include fabrics which incorporate traditional batik patterns even if they are not produced using the wax-resist dyeing techniques. Silk batik is especially popular.^{[citation needed]}

Javanese traditional batik, especially from Yogyakarta and Surakarta, has special meanings rooted to the Javanese conceptualization of the universe. Traditional colours include indigo, dark brown, and white which represent the three major Hindu Gods (Brahmā, Visnu, and Śiva). This is related to the fact that natural dyes are only available in indigo and brown. Certain patterns can only be worn by nobility; traditionally, wider stripes or wavy lines of greater width indicated higher rank. Consequently, during Javanese ceremonies, one could determine the royal lineage of a person by the cloth he or she was wearing.

Other regions of Indonesia have their own unique patterns which normally take themes from everyday lives, incorporating patterns such as flowers, nature, animals, folklore or people. The colours of pesisir batik, from the coastal cities of northern Java, is especially vibrant, and it absorbs influence from the Javanese, Arab, Chinese and Dutch culture. In the colonial times pesisir batik was a favorite of the Peranakan Chinese, Dutch and Eurasians.^{[citation needed]}.

UNESCO designated Indonesian batik as a Masterpiece of Oral and Intangible Heritage of Humanity on October 2, 2009. As part of the acknowledgment, UNESCO insisted that Indonesia preserve their heritage.

Batik or fabrics with the traditional batik patterns are also found in several countries such as Malaysia, Japan, China, India, Sri Lanka, Egypt, Nigeria, Senegal, and Singapore. Malaysian batik often displays plants and flowers in basic patterns.

Etymology

Although the word's origin is Javanese, its etymology may be either from the Javanese amba ('to write') and titik ('dot' or 'point'), or constructed from a hypothetical Proto-Austronesian root *beCík, meaning 'to tattoo' from the use of a needle in the process. The word is first recorded in English in the Encyclopædia Britannica of 1880, in which it is spelled battik. It is attested in the Indonesian Archipelago during the Dutch colonial period in various forms: mbatek, mbatik, batek and batik.

History

Wax-resist dyed textile from Niya (Tarim Basin),China

Wax resist dyeing technique in fabric is an ancient art form. Discoveries show it already existed in Egypt in the 4th century BCE, where it was used to wrap mummies; linen was soaked in wax, and scratched using a sharp tool. In Asia, the technique was practiced in China during the T'ang dynasty (618-907), and in India and Japan during the Nara period (645-794). In Africa it was originally practiced by the Yoruba tribe in Nigeria, Soninke and Wolof in Senegal.

In Java, Indonesia, batik predates written records. GP. Rouffaer argues that the technique might have been introduced during the 6th or 7th century from India or Sri Lanka.^[5] On the other hand, JLA. Brandes (a Dutch archeologist) and F.A. Sutjipto (an Indonesian archeologist) believe it is a tradition native to regions such as Toraja, Flores, Halmahera, and Papua. It is noteworthy that these areas were not directly influenced by Hinduism but do have an old tradition of making batik.

GP. Rouffaer also reported that the gringsing pattern was already known by the 12th century in Kediri, East Java. He concluded that such a delicate pattern could only be created by means of the canting (also spelled tjanting or tjunting; IPA: [tʃantɪŋ]) tool. He proposed that the canting was invented in Java around that time.

Batik was mentioned in the 17th century Malaysian literature, Sulalatus Salatin. The legend goes when Laksamana Hang Nadim was ordered by Sultan Mahmud to sail to India to get 140 pieces of serasah cloth (batik) with 40 types of flowers depicted on each. Unable to find any that fulfilled the requirements, he made up his own. On his return unfortunately, his ship sank and he only managed to bring four pieces, earning displeasure from the Sultan.

In Europe, the technique is described for the first time in the History of Java, published in London in 1817 by Sir Thomas Stamford Raffles who had been a British governor for the island, during the period when Napoleon occupied Holland. In 1873 the Dutch merchant Van Rijckevorsel gave the pieces he collected during a trip to Indonesia to the ethnographic museum in Rotterdam. And it was indeed starting from the early 19th century that the art of batik really grew finer and reached its golden period. Exposed to the Exposition Universelle at Paris in 1900, the Indonesian batik impressed the public and the artisans.

Due globalization and industrialization, which introduced automated techniques, new breeds of batik, known as batik cap (IPA: [tʃap]) and batik print emerged, and the traditional batik which incorporates the hand written wax-resist dyeing technique is known now as batik tulis (lit: 'Written Batik'). At the same time Indonesian immigrants to Malaysia and Singapore brought Indonesian batik with them.

Culture

The Javanese aristocrats R.A. Kartini in kebaya and her husband.Her skirt is of batik, with the parang pattern which was for aristocrats

Depending on the quality of the art work, dyes, and fabric, the finest batik tulis halus cloth can fetch several thousand dollars, reflecting the fact that it probably took several months to make. Batik tulis has both sides of the cloth ornamented.

In Indonesia, traditionally, batik was sold in 2.25-meter lengths used for kain panjang or sarong for kebaya dress. It can also be worn by wrapping it around the body, or made into a hat known as blangkon. Infants are carried in batik slings decorated with symbols designed to bring the child luck. Certain batik designs are reserved for brides and bridegrooms, as well as their families. The dead are shrouded in funerary batik. Other designs are reserved for the Sultan and his family or their attendants. A person's rank could be determined by the pattern of the batik he or she wore.

Sacred Dance of Bedhoyo Ketawang. The batik is wrapped around the body

For special occasions, batik was formerly decorated with gold leaf or dust. This cloth is known as prada (a Javanese word for gold) cloth. Gold decorated cloth is still made today; however, gold paint has replaced gold dust and leaf.

Batik garments play a central role in certain rituals, such as the ceremonial casting of royal batik into a volcano. In the Javanese naloni mitoni "first pregnancy" ceremony (tujuh bulanan in Indonesian), the mother-to-be is wrapped in seven layers of batik, wishing her good things. Batik is also prominent in the tedak siten ceremony when a child touches the earth for the first time. Batik is also part of the labuhan ceremony when people gather at a beach to throw their problems away into the sea.

Contemporary batik, while owing much to the past, is markedly different from the more traditional and formal styles. For example, the artist may use etching, discharge dyeing, stencils, different tools for waxing and dyeing, wax recipes with different resist values and work with silk, cotton, wool, leather, paper or even wood and ceramics. The wide diversity of patterns reflects a variety of influences, ranging from Arabic calligraphy, European bouquets and Chinese phoenixes to Japanese cherry blossoms and Indian or Persian peacocks.

In Indonesia, batik popularity has its up and downs. Historically it was essential for ceremonial costumes and it was worn as part of a kebaya dress, which was commonly worn every day. According to Professor Michael Hitchcock of the University of Chichester (UK), batik "has a strong political dimension. The batik shirt was invented as a formal non-Western shirt for men in Indonesia in the 1960s. It waned from the 1960s onwards, because more and more women chose western clothes. However, batik clothing has revived somewhat in the 21st century, due to the effort of Indonesian fashion designers to innovate the kebaya by incorporating new colors, fabrics, and patterns. Batik is a fashion item for many young people in Indonesia, such as a shirt, dress, or scarf for casual wear. For a formal occasion, a kebaya is standard for women. It is also acceptable for men to wear batik in the office or as a replacement for jacket-and-tie at certain receptions.

In one form or another, batik has worldwide popularity. Nelson Mandela wears a batik shirt on formal occasions, the South Africans call it a Madiba shirt. The Malaysian singer Siti Nurhaliza wore an Indonesian kebaya and batik on her wedding day. The late mother of United States president Barack Obama, Ann Dunham was an avid collector of Batik. In 2009, an exhibition of Dunham's textile batik art collection (A Lady Found a Culture in its Cloth: Barack Obama's Mother and Indonesian Batiks) toured six museums in the United States, finishing the tour at the Textile Museum.

Batik is often worn in Malaysia, Singapore, Brunei, and southern Thailand, brought there by Indonesian immigrants or merchants in the 19th century. The flight attendants of Indonesian, Singaporean, and Malaysian national airlines all wear batik in their uniform. Batik sarongs are also designed as wraps for casual beachwear.

Now, not only is batik used as a material to clothe the human body, its uses also include furnishing fabrics, heavy canvas wall hangings, tablecloths and household accessories. Batik techniques are used by famous artists to create batik paintings which grace many homes and offices.

Types and Variations of Batik

Javanese Kraton Batik (Javanese court Batik)

Javanese keraton (court) Batik is the oldest batik tradition known in Java. Also known as Batik Pedalaman (inland batik) in contrast with Batik Pesisiran (coastal batik). This type of batik has earthy color tones such as black, brown, and dark yellow (sogan), sometimes against a white background. The motifs of traditional court batik have symbolic meanings. Some designs are restricted: larger motifs can only be worn by royalty; and certain motifs are not suitable for women, or for specific occasions (e.g., weddings).

The palace courts (keratonan) in two cities in central Java are known for preserving and fostering batik traditions:

• Surakarta (Solo City) Batik. Traditional Surakarta court batik is preserved and fostered by the Susuhunan and Mangkunegaran courts. The main areas that produce Solo batik are the Laweyan and Kauman districts of the city. Solo batik typically has sogan as the background color. Pasar Klewer near the Susuhunan palace is a retail trade center.
• Yogyakarta Batik. Traditional Yogya batik is preserved and fostered by the Yogyakarta Sultanate and the Pakualaman court. Usually Yogya Batik has white as the background color. Fine batik is produced at Kampung Taman district. Beringharjo market near Malioboro street is well known as a retail batik trade center in Yogyakarta.

Pesisir Batik (Coastal Batik)

Cirebon batik depicting sea creatures

Pesisir batik is created and produced by several areas on the northern coast of Java and on Madura. As a consequence of maritime trading, the Pesisir batik tradition was more open to foreign influences in textile design, coloring, and motifs, in contrast to inland batik which was relatively independent of outside influences. For example, Pesisir batik utilizes vivid colors and Chinese motifs such as clouds, phoenix, dragon, qilin, lotus, peony, and floral patterns.

• Pekalongan Batik. The most famous Pesisir Batik production area is the town of Pekalongan in Central Java province. Compared to other pesisir batik production centers, the batik production houses in this town is the most thriving. Batik Pekalongan was influenced by both Netherlands-European and Chinese motifs, for example the buketan motifs was influenced by European flower bouquet.
• Cirebon Batik. Also known as Trusmi Batik because that is the primary production area. The most well known Cirebon batik motif is megamendung (rain cloud) that was used in the former Cirebon kraton. This cloud motif shows Chinese influence.
• Lasem Batik. Lasem batik is characterized by a bright red color called abang getih pithik (chicken blood red). Batik Lasem is heavily influenced by Chinese culture.
• Tuban Batik. Batik gedog is the speciality of Tuban Batik, the batik was created from handmade tenun (woven) fabrics.
• Madura Batik. Madurese Batik displays vibrant colors, such as yellow, red, and green. Madura unique motifs for example pucuk tombak (spear tips), also various flora and fauna images.

Indonesian Batik from other areas

Java

• Garut Batik. This type of batik is produced by Sundanese people in the Garut district of West Java province. Despite applying traditional Javanese court motifs such as parang, Garut batik uses lighter and brighter colors compared to Javanese court batik.
• Banten Batik. This type of batik employs bright and soft pastel colors. It represents a revival of a lost art from the Sultanate of Banten, rediscovered through archaeological work during 2002-2004. Twelve motifs from locations such as Surosowan and several other places have been identified.
• Java Hokokai Batik. This type is characterized by flowers in a garden surrounded by butterflies. This motif originated during the Japanese occupation of Java in the early 1940s.

Bali

• Balinese Batik. Balinese batik was influenced by neighbouring Javanese Batik and is relatively recent compared to the latter island, having been stimulated by the tourism industry and consequent rising demand for souvenirs (since the early 20th century). In addition to the traditional wax-resist dye technique and industrial techniques such as the stamp (cap) and painting, Balinese batik sometimes utilizes ikat (tie dye). Balinese batik is characterized by bright and vibrant colors, which the tie dye technique blends into a smooth gradation of color with many shades.

Sumatra

• Jambi Batik. Trade relations between the Melayu Kingdom in Jambi and Javanese coastal cities have thrived since the 13th century. Therefore, the northern coastal areas of Java (Cirebon, Lasem, Tuban, and Madura) probably influenced Jambi in regard to batik. In 1875, Haji Mahibat from Central Java revived the declining batik industry in Jambi. The village of Mudung Laut in Pelayangan district is known for producing Jambi batik. This Jambi batik, as well as Javanese batik, influenced the batik craft in the Malay peninsula.
• Riau Batik.
• Palembang Batik.
• Aceh Batik.

Procedure

A Batik Tulis maker applying melted wax following pattern on fabric using canting, Yogyakarta (city), Indonesia.

Melted wax (Javanese: malam) is applied to cloth before being dipped in dye. It is common for people to use a mixture of beeswax and paraffin wax. The beeswax will hold to the fabric and the paraffin wax will allow cracking, which is a characteristic of batik. Wherever the wax has seeped through the fabric, the dye will not penetrate. Sometimes several colours are used, with a series of dyeing, drying and waxing steps.

Dipping cloth in dye.

Thin wax lines are made with a canting, a wooden handled tool with a tiny metal cup with a tiny spout, out of which the wax seeps.

After the last dyeing, the fabric is hung up to dry. Then it is dipped in a solvent to dissolve the wax, or ironed between paper towels or newspapers to absorb the wax and reveal the deep rich colors and the fine crinkle lines that give batik its character. This traditional method of batik making is called batik tulis.

For batik prada, gold leaf was used in the Yogjakarta and Surakarta area. The Central Javanese used gold dust to decorate their prada cloth. It was applied to the fabric using a handmade glue consisting of egg white or linseed oil and yellow earth. The gold would remain on the cloth even after it had been washed. The gold could follow the design of the cloth or could take on its own design. Older batiks could be given a new look by applying gold to them.

Industrialization of Technique

The application of wax with a canting is done with great care and therefore is very time-consuming. As the population increased and commercial demand rose, time-saving methods evolved. Other methods of applying the wax to the fabric include pouring the liquid wax, painting the wax with a brush, and putting hot wax onto pre-carved wooden or copper block (called a cap or tjap) and stamping the fabric.

The invention of the copper block (cap) developed by the Javanese in the 20th century revolutionized batik production. By block printing the wax onto the fabric, it became possible to mass-produce designs and intricate patterns much faster than one could possibly do by using a canting.

Batik print is the common name given to fabric which incorporates batik pattern without actually using the wax-resist dyeing technique. It represents a further step in the process of industrialization, reducing the cost of batik by mass-producing the pattern repetitively, as a standard practice employed in the worldwide textile industry.

Maintaining batik

For both batik tulis and batik cap, the following rules apply:

• Hand wash, or best just soak the cloth
• Use very little detergent, best to use lerak
• Hang the batik directly, do not squeeze the cloth
• Do not hang in direct sunlight
• The iron should not directly touch the cloth, best to use a steam iron
• Silk batik is best dry-cleaned
• Do not spray perfume onto the cloth directly

Gallery

Gauthier in Javanese Batik Costume.	Javanese rambutan sellers wearing batik shirt.	Sundanese elderly woman wearing batik headcloth and batik sarong.	Miss Indonesia 2008 wearing Batik dress.
Batik dress in modern Indonesian fashion.	Batik skirt in modern Indonesian fashion.